Musical Numbers

ACT I:
Overture
Heaven On Their Minds
What's The Buzz?/Strange Thing, Mystifying
Everything's Alright
This Jesus Must Die
Hosanna
Simon Zealotes/Poor Jerusalem
Pilate's Dream
The Temple
Everything's Alright (Reprise)
I Don't Know How To Love Him
Damned For All Time/Blood Money

ACT II:
The Last Supper
Gethsemane
The Arrest
Peter's Denial
Pilate and Christ
King Herod's Song
Could We Start Again, Please?
Judas' Death
Trial Before Pilate
Superstar
Crucifixion
John Nineteen: Forty-One

Cast List

Jesus - DIEGO HUERTA-GUTIERREZ

Judas - ANDY MEYERS

Mary Magdalene - CHESS MACELVAINE

Caiaphas - ANDREW DIEGO

Pontius Pilate - TROY DAILEY

Annas - RENEE COHEN

Peter - CHRISTOPHER THUME

Simon Zealotes - AURIAA

King Heord/Priest 3 - NATHANAEL O'NEAL

Priest 4/Ensemble - ZACHARY BALAGOT

Horseman/Ensemble - TOMMI JO MONGOLD

Dancer/Ensemble - SAM TILLEY

Dancer/Ensemble - ROBBIE CANEVARI

Dancer/Ensemble - PATRICK FITZSIMMONS

Dancer/Ensemble - JULIET JOHNSON

Dancer/Ensemble - TRINITY PEDAGAT

Devil/Dancer - DANNY CASTRO

Child -
SCARLETT MORROW
ADAM AVILES

LIVE BACKSTAGE VOCALS:
The Cast of Jesus Christ Superstar

Choreographer's Note

Choreographing Jesus Christ Superstar began as an exciting experience. I was eager to showcase the extraordinary talent of our dancers — song after song, dance after dance, pushing movement to its fullest expression. But as the process unfolded, something shifted. In the end, it became less about dance steps and I was left with something far more emotional, stark, and bleak. We have not evolved as much as we like to believe. We have not learned from history. We indeed have forgotten. And while we forget, power and greed continue to win. Jesus Christ Superstar isn't just a spectacle; it's a reminder — we need to do more, we need to be better.

Director's Note

I rarely use a Director’s Note to explain a production’s vision. Art is meant to be experienced, felt, and interpreted freely. But the level of thought and collaboration that went into this production makes it worth sharing a glimpse of the ideas shaping what you are about to—or have just—witnessed.

When Jesus Christ Superstar first burst onto the scene in 1970, it was radical for presenting the final days of Jesus through a human lens. Its music was loud, emotional, political, and unapologetically contemporary. More than fifty years later, the questions it raises feel even more urgent.

Our production imagines this story within a surreal, authoritarian, media-saturated dystopia inspired by Pink Floyd’s The Wall—a collapsing society where spectacle replaces substance, fear replaces truth, and comfort replaces conscience. In this world, each character is both themselves and something larger. Jesus represents radical truth—moral clarity in a system addicted to hierarchy and control. His refusal to conform makes him dangerous. Judas becomes the broken mirror of that truth, a believer who now fears its cost. Pilate embodies bureaucratic neutrality, aware of injustice but unwilling to disrupt it, while Caiaphas and Annas represent institutions determined to protect their own power.

Mary Magdalene represents emotional truth—the marginalized voices society often dismisses, yet who see clearly because they have nothing to gain from power. Herod, by contrast, embodies leadership as spectacle, where cruelty becomes entertainment and authority becomes performance.

Around them moves the machinery of The System. Soldiers enforce it. Crowds amplify it. Media feeds it. Even the Devil is not a monster, but a whisper reminding us that corruption is normal and resistance is futile.

Within this world, the crucifixion becomes more than a religious event—it is the ultimate act of institutional self-preservation. Jesus is not executed because he is physically dangerous, but because he exposes the shadows behind the wall—and those shadows fear being seen. What makes this story unsettling is that the System survives not through villains alone, but through our own comfort, fear and silence. But there are cracks in the wall—and the hope that someone, somewhere, might still choose courage over comfort.

Casting & The Temple

Some casting choices were intentionally symbolic.

Diego Huerta-Gutierrez’s portrayal of Jesus reflects a figure whose heritage echoes communities currently targeted by immigration crackdowns and deportations in the United States.

Andy Meyers’ Judas represents the conflicted modern American—someone caught between ideological divides, wrestling with uncertainty, fear, and contradiction.

Chess MacElvaine’s (They/Them) Mary Magdalene represents those often misunderstood or marginalized in our society, including people facing gender identity bias, sexuality discrimination, and ableism—voices too often dismissed despite their humanity.

Tommi Jo Mongold, Troy Dailey, AURIAA, and Christopher Thume portray the Four Horsemen of the Apocalypse. On the surface they appear as Roman soldiers, but symbolically they represent the modern weapons of control: social media, news cycles, and misinformation—systems capable of manipulating truth through screens and fear.

And Nathanael O’Neal’s Herod carries unmistakable echoes of a certain larger-than-life political figure currently dominating our national stage.

One of the most meaningful moments for me is The Temple. Traditionally, it depicts a holy place corrupted by greed and exploitation. In our production, that sacred space becomes a school—a place meant to be the safest environment for our children. Yet we live in a time when those spaces are repeatedly violated by violence, drugs, trafficking, and political exploitation.

Jesus’ fury in this moment is not merely biblical outrage—it is a reaction to the betrayal of spaces meant to protect the vulnerable. It is a rage that perhaps should belong to all of us.

I hope you enjoy the extraordinary talent on stage tonight. But more than that, I hope you leave thinking about the questions this story asks of all of us.

Make noise. Question everything. Embrace human equality.

And above all—love radically.

Who's Who Cast

Diego Huerta-Gutierrez (Jesus) is so grateful to get to play Jesus in his debut at Nocturne! Most recently he was in Prince of Egypt (Casa0101). Other roles include Rich in Be More Chill (Phantom Projects), Ernst in Spring Awakening (Chance Theatre), Anthony in Sweeney Todd (Phantom Projects), and (his favorite) Claude in Hair (Cypress College). He feels so lucky to be able to create something with such talented artists. Finally, thanks always to his mom for being his biggest fan since day one. Todo por Dios. Enjoy the show!!

Andy Meyers (Judas) makes his Nocturne debut, but served as Season Director for M2M's House of Spirits in NYC and Seattle. National Tours: Bert in Annie, Scrooge in Christmas Carol, Carl in Bus Stop. Off-Broadway: Dames at Sea, Circle of Friends. Tannhauser (Met Opera, NYC), D’Ysquith Family in Gentlemen’s Guide (Public Theatre San Antonio), Christmas Carol (McCarter), Jean in Christmas Story, Amos in Chicago, Les Misérables (Arizona Broadway). Co-Producer of Alice in Wonderland (Marylebone Theatre, London). Former Artistic Director of Fort Peck Summer Theatre and Post Playhouse; and Managing Director for Performing Arts at Snug Harbor Cultural Center, Staten Island. Andy graduated from Wagner College, Staten Island and holds his Masters in Musical Theatre / Professional Certificate in Nonprofit Administration from University of Montana.

Chess MacElvaine (Mary Magdalene) (They/Them) is ELATED to return to The Nocturne Theatre, stepping into a role they’ve always loved. You may recognize them from other Nocturne roles such as Christmas Present/Social Worker in Madam Scrooge, Silly Girl in Beauty and the Beast, or The Steward in Into the Woods, or may have seen their handiwork on sets, props, and costumes throughout the last two seasons of shows. Chess has also been seen in Reforged at the 2024 Fringe Festival, Universal Studios’ 2025 Fan Fest Nights, and other immersive highlights throughout Los Angeles. They want to thank their loved ones for their continued support.

Andrew Diego (Caiaphas) is thrilled to be back at the Nocturne after appearing last season in Dracula The Musical as Renfield. In 2015, Andrew made his Los Angeles stage debut as Caiaphas in Jesus Christ Superstar with DOMA Theatre Company. It is a joy to revisit this role. Stage: Man of La Mancha (Captain of the Inquisition) at Musical Theatre West, American Idiot (St. Jimmy - *BroadwayWorld Award), The Producers (Carmen Ghia), The Little Mermaid (Jetsam), Spring Awakening (Hänschen) and The Christians with Center Theatre Group. Immersive: The Queen Mary's Dark Harbor (The Ringmaster), Stranger Things: The Experience (National Tour), Knives Out 3, Westworld, Fallout 76, Blade Runner 2049, Audible's Impact Winter and Tyra Banks' ModelLand. Voiceover: 20+ credits for Netflix, HBO and Apple TV+. Film/TV: "Mystic River," "Contracted: Phase II," "Lyvia's House," "The Devil's Carnival: Alleluia!" and the upcoming "High Spirits." BFA, CalArts. @itsandrewdiego

Troy Dailey (Pontius Pilate) is excited to be back at the Nocturne Theater. He always loves the challenge of performing in the round. His first memory on stage is joining Van Halen during their Balance Tour. Introducing them in true rebel child fashion, he froze hearing the thunderous applause. Being carried offstage by a band member aside, it was love at first fright. Favorite roles: Archibald Craven (The Secret Garden), Beast (Beauty and the Beast), Baker (Into the Woods). Troy dedicates today's performance to his mother, who was always his biggest supporter.

Renee Cohen (Annas) This marks Renee’s 6th production of JCS, most recently seen twice as Judas. She played Mary alongside our amazing Caiphas (Andrew Diego) with DOMA Theatre. Credits include Passion (Fosca), Cabaret (Emcee), Hedwig and the Angry Inch (Yitzhak), Rent (Maureen), Legally Blonde (Paulette), Peter Pan (Peter), American Psycho (Evelyn), Assassins (Guiteau), Merrily We Roll Along (Gussie), Lippa’s Wild Party (Queenie/Kate/Mad True), American Idiot (Whatsername), Shrek (Dragon), Pippin (Leading Player). In real life, Renee owns a pet-sitting business called Reneewalks. She is available if you need a Winifred Sanderson and is looking for representation! IG: @reneesings TikTok: @naynayrc

Christopher J. Thume (Peter) is thrilled to have been included in Nocturne Theater’s production of Jesus Christ Superstar, a show that holds a very special place in his heart. Most recently, he was seen at CASA 0101 Theater as Ramses II in The Prince of Egypt and as Clopin in The Hunchback of Notre Dame. Last year, he appeared at the Wisteria Theater as George in The Wedding Singer, Terpsichore in Xanadu!, Swing in Cinderella, and Mysterious Man/Stepmother in Into the Woods. Stepping foot on the Nocturne stage marks an exciting new chapter of music and storytelling. Currently seeking representation.

AURIAA (Simon Zealotes) is very excited to make her return to the Nocturne Theater! She is an AMDA alumni. Her credits include, Frankie in Jagged Little Pill, Mimi in RENT, Ronette in Little Shop of Horrors, and a cast Swing in Sister Act. She has also performed as background vocalist for Shae Universe in a Tiny Desk concert. She is very thankful to the theater for the opportunity to return to the Nocturne as Simon in this production of Jesus Christ Superstar. She would also like to thank her family and friends for all their unconditional love and support. @auriaamusic

Nathanael O'Neal (Herod/Priest 3) is an LA transplant, formerly hanging his hat in the Lone Star State. Jesus Christ Superstar was his first community theatre show in 2016 and he is ecstatic to return for a ten year anniversary! Some other favorite credits are Anatoly (Chess), Shrek (Shrek), and Dewey Finn (School of Rock). If you wanna see more of him, check out his Instagram @ohnoneal or TikTok @nathanaeloneal!

Zachary Balagot (Priest 3/Ensemble) (They/She) They are thrilled to join this amazing company. They trained at and attended Orange County School of the Arts. They have been dancing for 22 years in tap, hip hop, jazz, and ballet. Their favorite roles include; Matt in the Fantasticks, Riff Raff in Rocky Horror, Nicky/Trekkie in Avenue Q, Sonny in In the Heights, Angel in Rent, and Hedwig in Hedwig and the Angry Inch. They would like to thank their family and friends for their endless love and support.

Tommi Jo Mongold (Horseman/Ensemble) (They/Them) is delighted to join their first Nocturne show as ensemble for Jesus Christ Superstar! Recent credits include Emma Nolan in The Prom (Simi Valley Cultural Arts Center), Mrs. Taylor in Bat Boy (The Morgan-Wixson), Andy in Girl Blood (Zanni Theatrics), and The Witch in Into the Woods (CSUN). They hope you have a holy time and enjoy the buzz this team has created! I love you Meg. Thank you always for everything.

Sam Tilley (Dance Captain/Dancer/Ensemble) Sam Tilley is a Los Angeles based dancer and actor. Some of her favorite credits include Into the Woods (Milky White), West Side Story (Anybodys), House of Spirits (Ignacio), and Madam Scrooge (Dance Captain). She is so excited to be a part of this show and would like to thank the cast and crew. You can keep up with her on Instagram and TikTok @_samtilley_

Robbie Mero Canevari (Dancer/Ensemble) began his dance training as a teenager: first with jazz, then evolving into a serious study of modern, contemporary, and ballet. He attended the Nevada City Ballet Academy and the Holt Ballet Conservatory, later joining the modern dance company "The Movement Alliance" as their classical artist in residence. He recently completed runs of "West Side Story" as Baby John and featured as a dancer in "Madam Scrooge" - both for the Nocturne Theater. Recent credits also include dancing in "Pippin!" at Jaxx Theatricals as well as the ongoing run of the new immersive horror ballet "PoeEtique" for Skiptown. He would like to thank the Nocturne family for inviting him back, and likewise is thankful for his family and friends, tribe and community for accepting his invitation to watch him live out his dreams in real time!

Patrick Fitzsimmons (Dancer/Ensemble) is excited to be performing again with the Nocturne Theatre. Patrick is a classically Vaganova trained ballet dancer, and for the past several years, has been performing/touring with Pacific Ballet Dance Theatre and Anaheim Ballet. He has appeared as Arthur in PDBT’s production of “Little Match Girl”, Dancäre in PBDT’s production of “Carmen”, English Toffee in Anaheim Ballet’s production of “The Nutcracker”, and Big Deal in Nocturne Theatre’s production of “West Side Story”.

Juliet Johnson (Dancer/Ensemble) (they/them) is so excited to be joining Jesus Christ Superstar again, after their previous performance of Jesus Christ Superstar at the Hollywood Bowl starring Cynthia Erivo and Adam Lambert. Additional credits include the award-winning One Up: The Musical at the Hollywood Fringe Festival, Carnival Cruise Line’s Epic Rock, and Americana: A Murder Ballad at the Edinburgh Fringe Festival. Juliet graduated valedictorian from Pepperdine University with a BA in Theatre Arts and a double minor in Great Books and Creative Writing. They are deeply grateful to their friends and family for their endless support! Find Juliet on Instagram @its.julietjohnson

Trinity Pedagat (Dancer/Ensemble) is thrilled to be apart of the cast of Jesus Christ Superstar! Some of Trinity’s favorite past roles include: Rosalia (West Side Story), Cassandra (Cats) and Gabrielle (Cinderella). She enjoys taking dance and aerial classes and is also a student pursuing her degree! Trinity would like to thank her family and teachers for giving her all the opportunities to get her to this point. A special thanks goes out to Hillary, Sophia, Cait, Jacq and many others for their friendship and endless encouragement!

Danny Castro (Devil/Dancer/Ensemble) is a 5'10 Hispanic male dancer carrying a four year National Champion Title in competitive dance. Receiving an AOS degree in Dance at AMDA, training in both NYC and LA. Tumbling his away towards music videos, concerts, and parades. Expressing authentic emotions on stage. Native to NC, he left an 8 year undefeated legacy in Basketball and Soccer, making regionals as a first-time Swimmer, and breaking the school record in Track. Passionate and dedicated to entertaining his audience. He lives for the joy of everyone! Explore more about his art on his Instagram @this_dannyboy

Scarlett "Scoo" Morrow (Child) is thrilled to return to the Nocturne Theater, where she’s spent much of her childhood performing in Shrek and Madam Scrooge 2025. When not onstage, Scoo can be found riding her beloved ponies, cuddling her dogs, or occasionally beating her family down the ski slopes. She sends big thanks to her family and friends for their love and support.

Adam Aviles (Child) - Adam Aviles, age 8, is overjoyed to be making his debut at the Nocturne Theater. Having attended nearly every production since the theater’s inception, Adam has grown up inspired by its creativity and talent, always dreaming of one day performing on its stage himself. His love for musical theater shines through in his energy, dedication, and excitement to perform. Adam is incredibly proud to be part of this production and hopes you enjoy the show as much as he does.

THE JESUS CHRIST SUPERSTAR BAND: Chris Wade and the Anyone's

Chris Wade (MD/Keyboards) is excited to be returning to the Nocturne Theatre, having been the band master and pianist for Dracula and Cabaret! Credits: “Defining Courage” (Kennedy Center, Segerstrom), “Sex Anyone”, Oprah’s 2020 Vision Tour, “Debutante Warriors”. Altadena Music Theatre: “Hair”, “Cabaret”, “Guys and Dolls”. Nocturne Theater: “Cabaret”, Melissa Schade shows. Off-Bway: Siren’s Heart, Great Leap Forward. Composer/Lyricist/Book: “29LIVES”, “Such Sweet Sorrow” (Live Nation, Fox Theater). TV/Film: Miracle Workers, USCellular, Game of Talents, Macys Parade, GEICO. Producer at Chris Wade Music Productions: RAISE (Bernie/AOC Rally), #TheAccidentals, The Broadway Bunch (Ralph Lauren), Belmont 4, The Jolly Holidays. BMI Musical Theatre Workshop (Composer), Wagner College, CLU, LACHSA.

www.chriswademusic.com @chriswade29lives

Lowell Wolfe - Guitar

Facebook - @lowellmwolfe

Instagram - @lowellwolfeguitar

Tik Tok - @lowellwolfeguitar

YouTube - @LowellWolfe

Audrey Bean - Bass

Instagram- @audrey.and.the.beans
Facebook- @audrey.and.the.beans

Eddy Barco - Drums

Instagram - @eddybarcodrums

TikTok - @eddybarcodrums

YouTube - @eddybarcodrums

Facebook - @eddybarcodrums

Production Crew

Director: Justin Meyer

Music Director/Band Leader: Chris Wade

Choreographer: Melissa Meyer

Assistant Choreographer: Michalis Sichnas

Dance Captain: Sam Tilley

Costume Designer: Tanya Cyr

Scenic Design: Jay Michael Roberts

Lighting Designer: Justin Meyer

Assistant Lighting Designer: Micah Delhauer

Sound Engineer: Matt Merline

Assistant Sound Engineer: Julia Vollsted

Stage Manager: Micah Delhauer

Scenic Painter: Jay Michael Roberts, Seth Logan, Sydni Sawyer

Scenic Builders: Jay Michael Roberts, Seth Logan

Nocturne House Managers: Jill Golden, Sam Hashim, Michaela Molidor-Sword

Gavin Dietz - Costume Shop Manager

Koalani Walkoe - Wardrobe Head

Michelle Loos - Cutter/Draper

Allie Leslie - Stitcher

Backstage Hand/Nun: Rodrigo Garcia

Who's Who Crew

Justin Meyer (Director) See Director's Note!

Chris Wade (Music Director/Band Leader/Keys) See Peformer Bio!

Melissa Meyer (Choreographer) has been working with her husband Justin for the past few years to establish and manage their immersive theatrical company, Meyer2Meyer Entertainment. Together, they have had the privilege of working on immersive projects for big names such as Fortnite, Amazon, Netflix, Warner Brothers, and their own shows House of Spirits, Kaleidoscope Experience, and the Bite LA. Before her current role, Melissa was a professional dancer and performed for various regional theatres and cruise ships. She is excited to take a break from her laptop and miles of spreadsheets to pull out her dancing shoes and help bring this musical to life!

Tanya Cyr (Costume Designer) studied under various designers before landing at Meyer2Meyer Entertainment, at the company's inception. She works year round on all their shows, designing everything from Creature Suits to Costumes. She is originally from Santa Barbara and wishes to thank her family, especially her father, mother, her brothers and her newly extending family, for their constant support of her artistic adventures!

Jay Michael Roberts (Scenic Designer) grew up in NW Montana, has a degree in architecture and is completing an MFA Scenic Design at the University of Montana. Shout out to Fort Peck, where he’s spent over a decade running the scene shop, and performing. Special thanks to Andy Meyers for his constant support and to Justin and Melissa for including him in this rockstar project.

Matt Merline (Sound Designer) is the resident sound guy for the Nocturne Theater. He runs the ship for any and all sound-related needs. For Hunchback, he recorded and mixed the backup choir. You can find him crawling around the theater floor plugging things into the wall or buried in a pile of wires. His spare time is spent at the library, playing music, writing and long hikes.

Micah Delhauer (Assistant Lighting Designer/Stage Manager) is both the bee's knees AND the cat's meow. He has been involved with Meyer2Meyer Entertainment since its inception, doing everything from directing to dressing up like giant ice cream cones, and is proud to be assisting with their latest enterprise, the Nocturne Theatre. When not acting as inspiration and mentor to the Meyers, he is also a creator of motion pictures, having just finished his feature debut, Blood Magick. Check out his bad self at:
facebook.com/micahdelhauerfilmmaker
instagram.com/bloodmagickthemovie

www.windelthor.com

Seth Logan (Scenic Builder) previous Meyer2Meyer credits include Haunted Soiree, Into the Woods, Jekyll and Hyde, Beauty and the Beast, The Hunchback of Notre Dame, Madam Scrooge 2023/24/25, & Dracula. When he’s not throwing paint on things you can find him working on photography projects or cruising the country in his camper van. Seth would like to thank those who have loved him into being: his family, his friends and his teachers.

Michalis Sichnas (Assistant Choreogrpaher) returns to the Nocturne Theatre family to assist Melissa Meyer with choreography for Jesus Christ Superstar, alongside a stellar cast and an amazing creative team. Previously at Nocturne, he performed in Shrek the Musical, Cabaret, Beauty and the Beast, and Madame Scrooge. Other credits include Hello Dolly! at MTW, Fiddler on the Roof at La Mirada Theatre (starring Jason Alexander), A Chorus Line (PVPA), and Newsies (5-Star Theatricals). Michalis also loves working on both the creative and performing sides of the industry. He dedicates his career to the memory of his mother, the heart behind every step and the light that continues to guide him as he chases his dreams. Represented by Go 2 Talent Agency. @michalisrise

Koalani Walkoe (Wardrobe Head) has been with the Nocturne since it's opening season, fulfilling a longtime goal of working in theater costume design. Prior to her time at the Nocturne, she worked in fashion and costume design in her home city of LA for over ten years. She creates and alters costumes for shows in addition to taking care of repairs, quick changes, and costume organization backstage. In her spare time she enjoys wearing her own designs to visit art museums and playing video games with her partner and cat.